The architecture emerges not as an imposition on the landscape, but as a continuation of it, a white, undulating form, like a wave of fabric gently laid across the earth. Its curves respond to the surrounding park. It is both building and landscape, sculpture and shelter. Its whiteness reflects the light of the day and glows at night, becoming a beacon and a natural extension of the park itself. The White Waving Public Service Hall reimagines bureaucracy as a human-centered journey through nature. Instead of a fortress of forms, the building opens itself to the public not above them, but floored in the park, where the land and architecture blend. Its undulating white form is not just aesthetic; it responds to function, flow, and environment. The wave becomes a ceiling, a wall, a bench, a roof, adaptable and soft. By embedding civic infrastructure within a public park, the project declares that governance belongs to the people, and that beauty, transparency, and dignity should be part of every public experience.